Eric Haralson0521813948, 9780521813945, 9780511064838
Table of contents :
Half-title……Page 3
Series-title……Page 4
Title……Page 5
Copyright……Page 6
Dedication……Page 7
Contents……Page 9
Acknowledgments……Page 10
Abbreviations……Page 14
Introduction……Page 17
1 Indiscreet anatomies and protogay aesthetes in Roderick Hudson and The Europeans……Page 43
2 The elusive queerness of “queer comrades”: The Tragic Muse and “The Author of ‘Beltraffo’ “……Page 70
3 The Turn of the Screw, or: The Dispossessed Hearts of Little Gentlemen……Page 95
4 Masculinity “changed and queer” in The Ambassadors……Page 118
5 Gratifying “the eternal boy in us all”: Willa Cather, Henry James, and Oscar Wilde……Page 150
6 “The other half is the man”: the queer modern triangle of Gertrude Stein, Ernest Hemingway, and Henry James……Page 189
Coda: “Nobody is alike Henry James”: Stein, James, and queer futurity……Page 221
INTRODUCTION……Page 230
1 INDISCREET ANATOMIES AND PROTOGAY AESTHETES IN RODERICK HUDSON AND THE EUROPEANS……Page 234
2 THE ELUSIVE QUEERNESS OF “QUEER COMRADES”……Page 236
3 THE TURN OF THE SCREW, OR: THE DISPOSSESSED HEARTS OF LITTLE GENTLEMEN……Page 240
4 MASCULINITY “CHANGED AND QUEER” IN THE AMBASSADORS……Page 243
5 GRATIFYING “THE ETERNAL BOY IN US ALL”: WILLA CATHER, HENRY JAMES, AND OSCAR WILDE……Page 246
6 “THE OTHER HALF IS THE MAN”: THE QUEER MODERN TRIANGLE OF GERTRUDE STEIN, ERNEST HEMINGWAY, AND HENRY JAMES……Page 250
CODA “NOBODY IS ALIKE HENRY JAMES”: STEIN, JAMES, AND QUEER FUTURITY……Page 257
Bibliography……Page 259
Index……Page 275
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