Michael Gray9780826469335, 0-8264-6933-7
His work has revolutionised song, reaching into every area of popular music from folk to blues to rock to gospel. He has met and worked with untold hundreds of musicians, politicians, celebrities, singers, poets, writers, painters, filmmakers, actors and activists. He has released several dozen albums, written many hundreds of songs, in many cases adapting them from older folk and blues material, and recorded songs by many other composers. He has been the subject of an enormous number of books, academic conference papers, showbiz stories, essays and concert reviews. He has attracted more fanzine enthusiasm, and inspired more websites, than almost anyone in the world. In order to resist the forces of infinity pushing this book beyond all bounds, it was decided to exclude some categories of entrant. There are, inevitably, exceptions, but in principle the following have been omitted: background business people like concert promoters, accountants, lawyers, managers, music publishers, booking agents, film producers and so on; the majority of photographers, album-cover designers and magazine editors; and people whose only connection with Dylan is that they have made cover-versions of his songs.
The many different kinds of entry that are in the book include: Biographies of singers, musicians, songwriters and composers who have influenced Dylan and/or worked with him; Critical assessments and factual details (including place and date of recording, date of release and original catalogue numbers) for all Dylan’s albums and for a large number of individual songs from all through Dylan’s decades of work; Dylan’s key career and biographical moments; Biographies of writers, poets and other key cultural figures who have impacted on Dylan’s work and/or who are mentioned within it, from William Blake to William Carlos Williams and from Lenny Bruce to Franz Kafka, in each case delineating the often surprising ways in which they connect to Dylan’s work; Short biographies of music critics and authors of books and major websites on Dylan; Critical assessments & facts on Dylan’s own books and films; Discursive subjects, from Dylan Interpreters to Cowboy Heroes, and from The Use of Hollywood Dialogue in Dylan’s lyrics, to вЂfrying an egg on stage’.
Table of contents :
15849$$$FM.ps……Page 1
15849$CNTS.ps……Page 7
15849$$ACK.ps……Page 9
15849$PREF.ps……Page 15
15849$$HOW.ps……Page 17
15849$$CHA.ps……Page 21
15849$$CHB.ps……Page 48
15849$$CHC.ps……Page 131
15849$$CHD.ps……Page 187
15849$$CHE.ps……Page 221
15849$$CHF.ps……Page 242
15849$$CHG.ps……Page 272
15849$$CHH.ps……Page 310
15849$$CHI.ps……Page 357
15849$$CHJ.ps……Page 362
15849$$CHK.ps……Page 388
15849$$CHL.ps……Page 413
15849$$CHM.ps……Page 456
15849$$CHN.ps……Page 500
15849$$CHO.ps……Page 532
15849$$CHP.ps……Page 544
15849$$CHQ.ps……Page 578
15849$$CHR.ps……Page 580
15849$$CHS.ps……Page 616
15849$$CHT.ps……Page 669
15849$$CHU.ps……Page 694
15849$$CHV.ps……Page 700
15849$$CHW.ps……Page 708
15849$$CHX.ps……Page 739
15849$$CHY.ps……Page 740
15849$$CHZ.ps……Page 745
15849$INDX.ps……Page 751
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