James Elkins, Robert Williams0415960452, 9780415960458, 9780203929865, 9780415960465, 0415960460, 0203929861
The volume includes an introduction by Rebecca Zorach and two final, synoptic essays, as well as contributions from some of the most prominent thinkers on Renaissance art including Stephen Campbell, Michael Cole, Frederika Jakobs, Claire Farago, and Matt Kavaler.
Table of contents :
BOOK COVER……Page 1
TITLE……Page 4
COPYRIGHT……Page 5
TABLE OF CONTENTS……Page 6
SERIES PREFACE……Page 8
1: INTRODUCTION……Page 12
RENAISSANCE THEORY: A SELECTIVE INTRODUCTION……Page 14
2: STARTING POINTS……Page 48
INTRODUCTION TO AN ABANDONED BOOK……Page 50
VASARI’S RENAISSANCE AND ITS RENAISSANCE ALTERNATIVES……Page 58
THE CONCEPT OF THE RENAISSANCE TODAY: WHAT IS AT STAKE?……Page 80
RETHINKING THE DIVIDE: CULT IMAGES AND THE CULT OF IMAGES……Page 106
GOTHIC AS RENAISSANCE: ORNAMENT, EXCESS, AND IDENTITY, CIRCA 1500……Page 126
ITALIAN RENAISSANCE ART AND THE SYSTEMATICITY OF REPRESENTATION……Page 170
3: THE ART SEMINAR……Page 196
4: ASSESSMENTS……Page 288
5: AFTERWORDS……Page 498
RENAISSANCE THEORY?……Page 500
HUGGING THE SHORE……Page 512
NOTES ON CONTRIBUTORS……Page 532
INDEX……Page 542
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