Robert L Hartwig9780240807171, 0-240-80717-0
Table of contents :
Title page……Page 4
Copyright page……Page 5
Table of contents……Page 6
INTRODUCTION……Page 12
ACKNOWLEDGMENTS……Page 14
The Flow of Electrons through Metals……Page 15
Alternating Current (AC)……Page 17
Mathematical Symbols and Formulas……Page 19
Impedance……Page 21
Signal-to-Noise Ratio……Page 23
Nano……Page 25
Progressive Scanning……Page 27
NEED FOR INTERLACE SCANNING……Page 29
Vertical Blanking……Page 31
WAVEFORM DISPLAY……Page 33
Broadcast-Quality Requirements……Page 35
What Computers Do……Page 37
Bits and Bytes — Binary Numbering System……Page 39
D to A Conversion……Page 41
Complementary Colors……Page 43
Color Temperature……Page 45
White Balance……Page 47
Digital Responses to This Situation……Page 49
CODECS……Page 51
Home Video Cameras……Page 53
Convergence……Page 55
How It Works……Page 57
LCD SCREENS……Page 59
ANALOG SYNC GENERATORS……Page 61
Color Burst……Page 63
Combining Sync with Video……Page 65
Color Bar Display……Page 67
PAL……Page 69
Distribution Amplifiers……Page 71
CAMERA FLOW DIAGRAMS……Page 73
Out-of-Phase Cameras……Page 75
Special Effects……Page 77
Routing Switchers……Page 79
Switcher Outputs……Page 81
Wipes……Page 83
Linear or Transparent Keys……Page 85
SPECIAL EFFECTS KEYS — CHROMA KEYS……Page 87
Y/C……Page 89
COLOR DIFFERENCE COMPONENT VIDEO……Page 91
Other Special Effects……Page 93
Interpolation……Page 95
Recording Heads……Page 97
Helical Video Recording……Page 99
Capstan Lock……Page 101
Horizontal Lock……Page 103
TIME BASE ERROR……Page 105
Gyroscopic Time Base Error……Page 107
TIME BASE ERROR CORRECTION……Page 109
Horizontal Sync as a Clock……Page 111
Window of Correction……Page 113
Frame Synchronizer……Page 115
TBCs, VTRs, and Production……Page 117
DV Video……Page 119
Video Servers……Page 121
DISC-BASED RECORDERS……Page 123
Electronic Editing……Page 125
THE EDITING PROCESS (1)……Page 127
THE EDITING PROCESS (2)……Page 129
Insert Edits……Page 131
Manual Editing……Page 133
EDITING METHODS — CONTROL TRACK COUNTERS……Page 135
SMPTE TIME CODE EDITING……Page 137
On-Line Editing……Page 139
Drop Frame/Non-Drop Frame Editing……Page 141
PROBLEMS OF TRADITIONAL EDITING……Page 143
NONLINEAR EDITING……Page 145
VIDEO COMPRESSION……Page 147
Entropy Encoding……Page 149
TEMPORAL COMPRESSION……Page 151
MPEG COMPRESSION STANDARD……Page 153
Interface between People and Machines……Page 155
CHARACTER GENERATORS……Page 157
Digital Video Effects……Page 159
THE DIGITAL STUDIO……Page 161
OPEN ARCHITECTURE EQUIPMENT VERSUS DEDICATED EQUIPMENT……Page 163
DRAWBACKS OF OPEN ARCHITECTURE EQUIPMENT……Page 165
Production HDTV Standards versus Broadcast HDTV Standards……Page 167
ATSC HIGH-DEFINITION BROADCAST STANDARD……Page 169
STANDARD DEFINITION DIGITAL TELEVISION (SDTV)……Page 171
Mono and Stereo……Page 173
5.1 Stereo……Page 175
Balanced and Unbalanced Audio……Page 177
Professional and Consumer Equipment……Page 179
Loudspeakers……Page 181
DAT……Page 183
DIGITAL AUDIO WORKSTATIONS (DAW)……Page 185
FURTHER READING……Page 188
GLOSSARY……Page 190
INDEX……Page 200
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